Poignant, tender and beautiful, this Cannes winner is a portrait of small-town India…

Does this simple story bordering on the dumb with a simpleton character work? Strangely, yes. Thanks to Khan’s uncharacteristic convincing performance and intelligent direction by the Ek Tha Tiger director who seemed to have forgotten his craft after his first film, Kabul Express.

I Love NY takes its own sweet time coming to its predictable end, and you can only sit back and note irrelevant details — like Ranaut’s three costumes and debate over Deol wearing a wig, counting his age and wishing him more suitable roles. It is to their credit that both Ranaut and Deol give their unconvincing parts their own best.
Maybe, Mr Kumar is right. Film “nikal jayegi”. Just maybe.

The film may be in Tamil but is likely to appeal equally to the Hindi cinegoer. Papanasam is a great reminder of why we go to the movies: to be entertained and stay emotionally engaged.Regional language should not keep you away, irrespective of upcoming Hindi remake, Drishyam.

This colourless, Arshad Warsi film fails to strike a chord…

Whitman sparkles and shines with her comic delivery. Her camaraderie with the very likeable Amell is enough to brighten a predictable script. The spirited students win The Duff an A, despite its lazy and easy treatment. So what if there is no one really fat or ugly here and we just have one more label?

This is a journey of pain: the pain of watching the talented Balan struggling to justify a badly-written role; the pain of seeing the director of Arth stuck in a time warp and refusing to grow out of a poor-me syndrome; the pain of watching Bhatt kill the memorable Kahaani girl of Ooh La La land with the that mighty Indian weapon: the mangalsutra.

Between the three little monsters and the two family comedians, there is much fun to be had at grandpa’s birthday.
One thing is guaranteed after watching What We Did On Our Holiday: you may not be keen on brats, but you will be sold on the idea of a holiday in Scotland.

They call it disaster movie, but really, the genre that San Andreas belongs to is the “OMG!” film. Whether it’s in 3D or 2D, no matter where the film is set or what disaster the heroes have to encounter, the defining moments of an OMG! film are more identical than monozygotic twins.

…tries too hard to be a Taj Mahal. Ultimately, though, it just ends up feeling like monumental vanity.