• The one good thing about KKPK is the pace at which Abbas-Mustan keep the film moving. Given more believable situations and lines, they might have done better. Meanwhile, if the sight of Kumar hanging on a wall and bringing in the moon, makes you laugh, go watch KKPK, but at your own risk.

  • Somewhere near the beginning of Bhaag Johnny, we see young Johnny (Kunal Khemu) sitting in a plush hotel room in Pattaya, bewildered and helpless, with a gun in hand. Right till the end of the film, he stays that way—Johnny from nowhere, whose only specialty is being able to woo women.

  • For those ever hopeful ones who are star struck by Kangana Ranaut’s brilliance in Tanu Weds Manu Returns, brace yourselves for the tragedy of the year. All you get to see in Katti Batti are Ranaut’s dozen bangles, rings, anklets, a pretty tattoo, numerous wigs and her nice legs.

  • With an equally lacklustre soundtrack, Hero is old wine in older bottles. One is better off, sipping the original one with the unforgettable Lata Mangeshakar’s, “Pyaar karne waale kabhi darte nahin”.

  • Welcome Back kicks up a storm of utter nonsense thanks to terrific comic timing by Patekar and Kapoor. And it happens to be a welcome break from 24/7 coverage of murder, financial crashes and other serious news — purely because of the two talented actors who hop, skip, dance and fool around with complete conviction.

  • …despite its pitfalls, Kaun Kitney Paani Mein has moments of fun and a subject that is relevant. Watch it for Saurabh Shukla.

  • If you’re in Mumbai, go down to Colaba and take a walk alongside the Taj Mahal Hotel. Watch the tourists and remember for a moment the images of the hotel’s distinctive dome with plumes of black smoke winding out of it. It’ll be more poignant than 147 minutes of Phantom.

  • Growing up with parents who are constantly at each other’s throats isn’t easy. A child could deal with this situation by becoming an escapist who distances himself from the parents. But is that a solution? This is the premise — and a thoroughly interesting one — of Shukla’s All is Well. That’s the good part. And it ends there.

  • In it’s honest storytelling, the deep significance and relevance of Gour Hari Dastaan stays with you. Especially since it’s an Independence Day release. Just look at how today, the flag for which Das fought is sold at traffic signals. “Paanch ka teen” anyone?

  • Ian McKellen charms in this slow, elegant look at a detective in retirement. In the fan fiction that is Mr. Holmes, the world’s most famous detective, God may be old. But it’s not time to say goodbye. Instead say hello to a new Holmes who is now all heart, mind and soul. Older, wiser, warmer, with much amusing ado made about his distinctive hat.

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