• …not your average suave, sophisticated sleuth. He makes mistakes, takes heroin to prove a point and dabbles in politics. But you have to admit, the detective has a method to his madness.

  • Maybe the cinematography will entice you enough to finally make the trip to the U.S. of A. Maybe you fall for ‘Mileya’. As you walk out of the halls, whichever way you fell, Happy Ending wasn’t matched up to what Paaji advised nor was it a comedy about romantic comedies. But you laugh, on occasion because you were warned.

  • You can blow up a million sumos, picturise ever fighting scene with real lions and scream “Now I’ve lost it” in every language you can muster. At the end of Independence Day, its Bajirao Singham action that will do the Koli dance to the box office tune. Not the critics.

  • Akshay Akkineni has reopened the door to a genre that urgently needs some fresh talent to invigorate it. Hopefully, just maybe, someone that will deliver. For now, Pizza is a decayed affair with some fresh toppings.

  • Makkhi is a magnificent adventure lead by a minute hero.

  • By the end of it, you neither remember the music [Pritam], the camerawork, the editing or for that matter, the reason why you wanted to watch the film in the first place.

  • My Friend Pinto has a long way to go before he can befriend the audience.

  • Oh dear. Where to begin with the film, Rascals. Sometimes the level that our writers go to recreate a hit can be baffling.

  • Mere Brother Ki Dulhan lacks originality and leaves one guessing what it would have been like without the loopholes.

  • So while Singham does roar his loudest, it doesn’t always frighten.

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