• Prabhas and Shraddha Kapoor’s action epic is made at a massive budget but it somewhere misses the plot.

  • Vidyut Jammwal film is richly mounted but a poorly narrated tale…

  • Rami Malek does his best as the iconic Freddie Mercury but could still not save the film that is only looking to make the people sing along to Queen’s hit songs and give a superficial look at their story.

  • The action set pieces also suffer in comparison to Vishwaroopam. If that film had the thrilling sow motion fight sequence, this time Kamal takes upon himself to have close quarter combats over and over again. Brutal and violent, the fights get tiring after a while.

    That, however, is not the biggest problem of Vishwaroopam. That indubitably is Kamal directing the film as a director and not filmmaker. We can see the savvy politician Kamal is doing great onscreen. Wisam, unfortunately, is lost in the back ground.

  • Despite painting a very realistic canvas of issues that plague people’s domestic life such as ego fights and the likes, Suresh’s story seems a bit too clumsily wrapped leaving several loopholes in the narrative.

  • Coffee With D is like an unfinished unpolished version of what could have been a rollicking run-in into a ruminative session between Indian’s biggest fugitive and loudest journalist. If only it had been allowed more leg-space to lunge in the lap of the ludicrous.

  • Now You See Me 2 is, in many ways, exactly the sort of sequel everyone dreads: Needless, uninspired and empty. Even with expectations in check, it somehow manages to disappoint. Like its flamboyant heroes, it relies on the notion that you are too dumb to notice illusion from reality.

  • As with most horror, The Conjuring 2 is also very participatory. Those looking for a good time will probably convince themselves that a few scenes are scarier than they really are. It’ll play well at midnight screenings, horror movie marathons, and other situations where there is no option but to have a great time. But something tells me that its appeal will be restricted to only the most hardcore fans of the first film. Without an emotional core to latch on to, everyone else will probably be left underwhelmed.

  • The ‘star’ voices help to fob off boredom. But there is not much here to sustain your interest even if you like the thought of an angry bird and his friends saving the animal kingdom from destruction. Who saves this film from cocky inertia?

  • The film is all over the board stylistically and tonally, and the elements of both horror and comedy fall flat. By the climax you’re almost forgotten what you’re watching and who you’re supposed to care about.

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