Overall, The Greatest Showman, is remarkably rousing and entertaining.

Overall, with the production quality befitting the ticket value, the film will appeal to children and adults alike.

From the first frame to the last blast, this is a fanboy director making sure that every moment of the narrative is paisa vasool for the Salman fans.

Visually, the film is attractive and pulsating with colours and action. The 3D animation is picture perfect. The viewing experience is elevated because of the soundtrack which includes three original songs.

The visuals are bright and colourful, especially the one scene that takes place in a casino and the scenes that lead to the film’s final battle. The computer generated images mesh seamlessly into the live action sequences demanding the film to be seen on an IMAX screen.

It is a treat for those who had watched the live matches on television as it revives memories, and apart from that, the film has enough elements to appeal to even neophytes of the sport.

Technically, the film is moderately mounted with humour in limited and mediocre quotient. And overall, the film’s premise is so akin to the recently released Bad Moms Christmas.

Bad breath gets a bad name in “Fukrey”. But it’s all in good taste. Circumscribing a world of chit funds, bodypart smuggling, animal poaching and French kissing, the wickedly anarchic world of Fukrey Returns is much smarter and far more intelligent than it outwardly seems. This is a world of rapidfire happenings where what goes around doesn’t necessarily come around.

Those who think Kapil’s days are numbered should make it a point to see what unrehearsed energy he brings to even the most mundane conversation about a bar of soap.
And guess who makes a very special appearance at the end? No, it’s not Sunil Grover.

If you subscribe to a cinema of supreme starkness, Ajji is your thing. However, if you go to the cinema for an excursion into escapism, this is not your cup of tea.
There is no escape from despair in Ajji.