Overall, the major asset of the film is that it succeeds in maintaining interest and suspense despite obvious foreknowledge of the outcome.

The Hitman’s Bodyguard offers light moments worth your popcorn and ticket price.

Overall, swathed in mindless but slick action, this poorly told tale is purely risky to watch.

On the production front, director Sandberg along with production designer Jennifer Spence make great use of the eerily vast layout of the Mullins’ farmhouse just as director Wan did with the haunted home at the centre of “The Conjuring”. But it is clustered – Annabelle’s room, the barn, the well in the courtyard and the unexplained lift shaft in the farm house that is used as the focal area of action and are well-exploited.
Overall, the film is visually well-captured but the spirit is missing.

Barielly ki Barfi is a tasty sweet treat to rev up your weekend.

The film’s dialogues are impeccably written and aptly included. Chuckles seamlessly grow to laughs, applauds even, as the writers (Nitesh Tiwari, Shreyas Jain and Rajat Nonia) successfully capture the flavour of life in this town.

Too much sugar in this barfi…

…on the face of it, “Atomic Blonde” is more of an interrogation film, rather than an espionage thriller and thus with Lorraine revealing the turn of events, the plot gets predictable and thus loses its spark.

This is essentially a cause-without-pause melodrama set at an opulent octave. Happily, director Shree Narayan Singh counterbalances those shrill notes of self-righteousness and propaganda with just the right doses of warmth, humour and irony.

A big disappointment for both the fans of Shah Rukh Khan and Imtiaz Ali.
They both need to think about what to do next. In separate rooms, please.