Outdated and cliched…The characters in Namaste England are frivolous, cardboard thin and rationality to their behaviour zilch

An old-fashioned sweet tale of romance…Only for die-hard romantics who are suckers for a sentimental love story

By the time Venom battles another Symbiote at the film’s climax, in an incoherent cloud of computer-graphics, you wouldn’t care less what you’re watching or what the stakes are.

But definitely lookout for the sequel, it seems promising.

Overall, despite excellent production values, the film does not cut the mark of distinction.

The film is packaged with excellent production values, but overall, this is just another derivative of Dutta’s film Border in a fresh avatar.

The film is shot on a lavish scale with ace production values. The music of the film is composed by Himesh Reshammiya and the background score by Monty Sharma. But what stand out is the fine sound designed by Resul Pookutty.

At the end, the in depth explanation of a genius seems forced.

Overall, with an overload of patriotic films in the recent past, Gold fails to offer anything exciting.

Mounted with excellent production values, the film has its moments of brilliance and cliches, which does offer a midlist, escapist journey, over all.

“The Meg” is best when it acknowledges its derivativeness, just one more silly shark movie in an ocean full of them. Its finest moment is when Statham, having willingly jumped into the water near the Megalodon, channels Dory and murmurs to himself: “Just keep swimming.”

The 3D effects are far and few, even the shattering of the glass frames with the shards strewn all around are ineffective.
The songs are an aberration to the narrative. All of them are slow, uninspiring and have a fatigued beat and they are the weakest point of the film.