…is more engaging than I expected it to be. The fight sequences and Jackson’s mastery over the cinematography department has meant that we’ve gotten to see a fair bit of New Zealand but obviously in a made up way. It is a good finale film of a trilogy, but there a lot better ones.

The film is certainly worth a watch but the two and a half hours of it seem as long as it took Moses to rescue them Hebrews.

Granted there are a few good instances — one fantasy-like sequence is actually quite hilarious — and a few good lines. It really looks like the actors had a good time making the film. Unfortunately, barring a few stunted chuckles, there’s very little the audience can benefit from their off-screen camaraderie.

The beauty of the film lies in the fact that as part of a blockbuster, massive hit series, it is rather unassuming of its importance. There’s a Lawrence-ish nonchalance of its effect on people and as much as it is very serious in nature, it doesn’t take its own success seriously. You are shocked and you’re forced to think, but you certainly get out of the theatre thinking that you’re glad you watched it.

Boyhood is long; it dawdles and somehow ends up fine and independent.

The film ends on a strange but wholly believable note though it seems like it could stick out as the only sore point in an otherwise pulsating film. That said, Nightcrawler is one of the best films to have come out this year and despite all the big budget entertainers and A-list directors coming out with films that make more noise before release and leave you feeling underwhelmed, Nightcrawler is a sleeper hit. Forget everything else that’s on in the theatres right now and watch this masterpiece of a film.

The movie has some superb visual effects, making it a must-watch on an IMAX screen. It won’t blow you away like Gravity but it’ll certainly make you feel like a part of the intergalactic adventure. With Hans Zimmer’s background score giving it the typical grandiose that he’s known for, the film takes you on a ride through the vast, infinite space making you face the unknown. Somewhere in that journey is also one of a father and daughter who go on a ride at different times and face a hitherto unknown part of their lives. The project is ambitious and Nolan gives it his all. He reached for the stars and in a long, slowly paced way got as close to it as possible cinematically.

I would recommend that the movie be watched because it is a good watch undoubtedly. But it’s not a Saving Private Ryan or any other war classic that it is feverishly being made out to be.

It’s engaging and twisted in ways you wouldn’t imagine but leaves you wishing that there were so much more to it. Gone Girl is conceptually a combination of a lot of marriages around but let it not deter you from the institution. That doesn’t mean you shouldn’t check under the pillow at night.

The film disappoints because it could’ve been so much more.