In love and relationships, a lot remains unsaid and undefined. What can’t find it’s way into words, will find a way to flow out. Let it. The fragrant memory of Shiuli (the Bengali name for Night Jasmine) and Dan’s unconditional story will linger long after. Go, take it all in.

This class isn’t part of the usual Bollywood curriculum, and we suggest that you sign up for it. Admissions open to all.

‘Roy’ has its moments, but the story is like a blotch of painting on abstract art.

The performances are forgettable and flaws scream out loud. The climax tries to shock, but leaves you shaken and wondering – whose zid was this anyway? As the case comes to a painful close, a guy sitting next to me exasperatingly said, “It’s time for a standing ovation.” I rest my case.

The terrific threesome play their parts with ease and Lisa adds oomph and colour to the ‘grey’ streaks. Some humour is forced; songs are shovelled in, and the climax lasts way beyond the orgasm! A tad more comical chemistry between the trio would made this a far more entertaining fare.

It’s not a film about an ingenious heist (far from ‘Oceans Eleven’) or dance, it’s a film about everything genuinely Bollywood – where logic gets a ‘fit’, gloss covers up the glitches, cameos creep in without a warning; and the rest of the plot finds comfort in the hero’s hot-bod (anything from 6 to 8 packs – take your pick!) and outstretched arms.

Anand Kumar misses almost every target at making even a fairly watchable film. Damn the cliches, the film shows no semblance of a coherent story or believable characters. It’s plagued with weak dialogues and poor editing.

This one won’t fill your hungry hearts, but one serving (not too bland, not too spicy) isn’t too bad for your appetite.

‘MAD’ puts its best foot forward at the end, hold your breath for the last dance. Overall, it’s a film for dance lovers. Even if it leaves the heart dancing for more.

Shetty’s cracked the pulse of the masses as he brazenly plays to the galleries. While the story itself plays it safe (too basic and predictable), the action is risky and rousing. Also packing a social message and feeding action lovers with raw ‘meat and bones’. It’s riddled with cliches and the length needs a good edit. But overall, it provides entertainment for enthusiasts of ‘Singham’ brand of cinema.