…stands true to the filmmaker’s attempt at this film. It’s nothing but a half baked, empty film with gigantic proportions of cheesiness!

Lost in Translation is what best describes Hawaizaada best. What started off as a biopic turns into a sobbing love tale that you wouldn’t want to watch. Read up on the scientist instead.

Dolly Ki Doli isn’t great but isn’t all the bad either. The story works mostly for the social satire that it is on the national obsession – Marriage. Should you watch the film? Yes, for the idea and some entertaining performances.

To sum it up, with a successful story at hand, Alone could’ve been a real scare-fest had the makers invested in the script and screenplay writers. With the product that it is, the only draw for the audience is Bipasha-Karan’s sizzling chemistry and the music which has already captivated the music lovers.

With a sketchy narrative, unimaginative screenplay and apology of performances, Sharaafat Gayi Tel Lene barely has any merits to shout out for a pleasant watch at the theaters.

An inane plot, poor execution and forced acting all makes for a bad film. Tamanchey misses the shot. Easily Avoidable.

Jigariyaa has a freshness of romance, innocence in mush and infectious energy of actors which should be given a chance despite its many flaws.

Bang Bang is an amalgam of exotic locations, power-packed action and good looking actors. If that’s enough good for you, if you are still looking for the story hit the next screen and watch Haider.

Rajshri Banner should stick to what best they are known for – family dramas. Their effort to make the shift falls flat on its face. Best avoided.

Sai Kabir tries really hard to turn crude to class however, despite having all elements he ends up with a sluggish and half-baked plot. Watch it only for the exceptional performance of Kangana Ranaut.