I must also make a quick confession here. Due to unavoidable time constraints, I had to watch the screener of this film, rather than catch it in a theatre. I don’t know whether that puts me at an advantage/disadvantage as a viewer.

Maybe I was this film’s target audience once (at least I’ve something to recommend to my little niece). And maybe age has nothing to do with the audience anyway. Either case, this is certainly something you haven’t checked out on the Indian screen before (so what if that’s not always a compliment).

The film leaves your body, and you’re free again. Now that just felt like a magic potion, my friend. Maybe it was. I feel blessed. Thank you Papaji. Looking forward to MSG 2. Your bhakt; forever.

It’s interesting to watch a story on love-outside-wedlock carefully play out without falling into one-dimensional traps of a blame-game, where either partner is entirely villainous (scores of films). Or the actions are justified by a sweet, innocent, unrequited, but eternal love from the past (Silsila, and several of its clones). The film doesn’t perceive monogamy as an impossible human attribute either, so I didn’t see the moral status-quo on marriages being rocked. The discussion centres on how if you’re not with the one you love; you need not be forced to love the one you’re with.