There’s plenty of jaw dropping large scale animation, which is not terrible in 3D but will most definitely be better in 2D. This has been a pretty very weak year for CG animation movies and Disney shows them all who the boss is. Watch it on the most gigantic screen that you can find.

…has the same problems that Iron Man 3 did — it’s a mess, and it shows. The narrative is all over the place, catering to the dumbest possible audience. From jarring editing to tonal shifts, there is no semblance of flow or continuity to be found in Thor 2.

Some of the facts in Fire in the Blood may only represent the surface level of the problem, and the film’s cutaways to an impoverished Africa tend to get a bit repetitive after a point. Gray’s cameras introduce us to various people in India and Africa who contracted HIV but are still alive due to their access to inexpensive medicines in the country.

Apart from using groundbreaking technology like an LED box that’d change filmmaking as we know it, Gravity has a ‘believable’ disaster plot and a heroine who is quite different from the stock scream queens that you expect from Hollywood.
All flaws of Gravity become infinitely smaller the bigger the screen you watch it on. In IMAX the film is perfect, utterly faultless.

If you can ignore the three-four instances of inelegant preaching, Elysium is a blast from start to finish. There’s not a dull moment here thanks to the gravelly editing. The production design is incredible, from all the gleaming futuristic hardware of the first world to the rusty crapware of the third world.

There’s plenty of religious symbolism but Villeneuve establishes a chilling moral subtext to it all and lets you make judgments – little details like these is what makes Prisoners so good. And when you veer from feeling hate to pity for the suspect, you know you’re watching great cinema.

‘Fruitvale Station’ won the Grand Jury prize at Sundance this year, and it is quite obvious why. The film is not just well made but also an important one. It’s also not a film as much as it is a heartfelt paean for the utter lack of justice in the world.

There are plenty of heroic moments in the film and you can’t help but clap till your hands bleed.

The problem with the sequel is that it banks on the very same things to sell itself. More of the same is passable fun, but not satisfying enough to people who loved the first film and look forward to an expanded universe in the sequel. Given the ‘Kick-Ass”s relatively tiny profit it was a miracle that the sequel got made, and in a way the filmmakers wasted a golden opportunity to create something truly great.

Whether or not you believe in demonic possessions, ‘The Conjuring’ is guaranteed to give you a sleepless night or two.