The illogical plot and buffoonish over-the-top characters might still have been forgiven if there were even a handful of laughs to be had. Instead, the journey is tiresome and utterly un-engaging, filled with tedious potty jibes, loud noises and hammy gesticulation.

The comedy is so mediocre even Ed Helms struggles to hold your attention. Chevy Chase in the original had this mad glint in his eye which made things all the more funny. Everyone in this film, Christina Applegate included simply go through the motions like robots. Chris Hemsworth makes a mildly interesting cameo as a weatherman but even he’s relegated to being part of erection jokes. This is not really a National Lampoons movie, this is a ‘Hangover’ sequel, and if you’ve watched the last two you can guess the quality of this one.

It’s a shame that this is the golden age of horror films, yet most of the products coming from the industry are so cheap and stale. Even if you’re looking for a timepass date movie, ‘The Vatican Tapes’ fails to deliver. The only respite is that it is not found footage.

His latest movie ‘Pixels’ is yet again a horrible experience, and this time it is more frustrating because the concept of the movie is quite amazing. So in contrast to Mr Sandler starring in an already terrible film, this time he has actually ruined a potentially great film.

The film essentially is a series of half-baked attempts at exploring a bouquet of unconnected themes. Social commentary needs mature filmmaking, and Aisa Yeh Jahaan falls far short.

It’s a genius strategy – make a movie for peanuts, and make a ton of profit because people love horror movies. As a result over the past ten years we have seen a barrage of painfully bad found footage films that take a dump on the legacy of ‘Blair Witch’. The trend continues in ‘The Gallows’, which is again a cheaply made film, shot with handy cams, and presented as a found footage movie with thrills and chills. Sadly the thrills in the film are lame and the chills are absent.

As far as hitting you right in the feels goes, ‘Max’ does an admirable job. Anyone who actually has a dog at home will probably love this movie. Kids, especially, might dig it, but for an adult who is not very fond of pets, there’s nothing in the film to see apart from contrived plot points, some melodrama and less than great acting. You can decide on watching this film depending on which camp you belong to.

With ‘Terminator Genisys’ there’s only one thing you need to know – prepare to have your childhood terminated.

The film tries to compensate for its lack of a good story by throwing in a celebrity cameo every minute, but by the time the hundredth celebrity arrives to mouth a line or two, you’re already left bored by the excess of un-funniness, extravagant sets and sexist humour.

…if you’re looking for a smart movie that goes into the morality and ethics of never ageing, you’ll have to look elsewhere.