• Bryan Cranston fails to save this bland biopic of a popular screenwriter…

  • Deadpool is Fox’s Guardians of the Galaxy, and it’s opened a whole new gateway for the superhero genre. Whether you have a date or not, make sure you celebrate Valentine’s Day at the multiplex playing this movie. It’s a love story after all, with lubricated strap ons.

  • The choice you should make in life this week is to avoid this movie at all costs. Hopefully the makers of future Sparks novels would then rethink delivering clunkers year after year. No Valentines Day should either begin or end with a movie so bad.

  • …it’s ultimately a Disney movie, and a sentimental one, and if you’ve ever found yourself liking any film by this production house you’ll easily enjoy The Finest Hours.

  • A big credit for that goes to Abrahamson for being able to direct a child actor in such a movie and extracting such a performance without being able to inform the actor the disturbing aspects of the story. If you haven’t gathered already, Room is a must watch.

  • Horror films are the single most exciting movie genre so it’s always disappointing when bad horror films show up in theaters. The Boy, directed by William Brent Bell is the new culprit this week.

  • Even Jennifer Lawrence and Bradley Cooper can’t save this bland film…

  • Neither is the humor edgy enough for the smarter audience nor is it fun enough to be a passable low brow comedy. It feels like the filmmakers attempted to make a full on low brow film but were restricted with a PG rating. As it stands, even a bad SNL skit is far more sophisticated than anything in this film.

  • The only thing that is mildly exciting about the film is a wing suit stunt where cameras soar along with the bat-like divers over a huge canyon.

  • …director Lynch doesn’t have Tarantino’s self-awareness and the grasp on schlock to make his film work despite the wanton misogyny in the material. The exploitative tone of the film is a jarring juxtaposition to the emotional sub plot between Everly and her mother. It’s amusing that the filmmakers want you to care deeply about the poor woman in ridiculously scanty clothes firing machine guns.

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