…with an unsurprising climax, weak story and repetitive action, the film fails to be half as good as a regular Statham gag must mandatorily be.

Culminating into a horrendously gore-filled climax, this shallow movie offers nothing new and is infuriatingly tiresome to sit through.

Birdman, in its 122 minutes’ runtime, transforms into exhilarating cinema that gives a heady rush.

This one is a one-time watch. For all those who love Bollywood and its over the top romantic-action drama films, Tevar is exactly that. After the long gap of PK, this film will be a fresh, no-brainer that will be good as a weekend watch for all cine-goers. Although for all those who have seen the south version Okkadu starring Mahesh Babu, well this may not exactly go beyond that.

It’s not often that you go to the movies to learn, absorb, comprehend and yet come out exclaiming what a delightful time you had. This is better than just an ordinary Hirani affair. It’s his most valiant product till date and I for one will applaud him for not frisking away with easy routes in a film that’s better kept ‘safe’. It’s a thing to learn from him, how to drive home a point without any bhesht of time.

Golden Kela and its likes are away but the worst film of the year is hands down this. At the ‘Break Of Dawn’ Michael Jackson must emerge from his grave, pull Prabhu by the collar for using his name, punch him and exclaim, “You ain’t criminally good but hell you’ve been hit by Smooth Criminal.” Beat it!

Masurkar’s inventive thinking is what is the best part of Sulemani Keeda. His Mise en scene-ish expression drives the film and his bizzaro vein of thinking makes the film a delightful watch. A vibrant, slice of life which has a tight story, fabulous performances and the feel good fuzziness as an afterfeeling, must not be missed. I quite loved it and will make my way to the theaters to catch this!

Zid is not cringe worthy, just plain boring. Selling itself in the garb of a few explicit shots, the film’s fabric did not back itself in a solid enough story. It doesn’t have anything exemplary about it, not its acting, story or the chemistry between its lead pair. The worst thing about Zid was its climax that was downright silly. It’s almost like a bunch of intelligent people thought of doing a crash course in making a silly film and Zid was made.

I think it’s putting too much of a responsibility on a film to instigate a social change. It’s job is to primarily entertain and make better cinema. Ungli’s novelty is its highlight point. Benefitting from sharp writing, lucid narrative and a few clapworthy zingy dialogues which have the punch, I do think Ungli is one of 2014′s most novel concepts. Well rendered and acted with zeal, don’t miss five people showing an entire system, the finger.

Happy Ending makes fun of all the films which have made it our bucket list of classic love films and does so without a hint disparaging malice. Yogi and Yudi played by Saif and their well-placed complimentary, smart-alecky camaraderie, along with the poker faced humor of Govinda makes this film a peachy yet relevant and essentially a droll, chucklesome watch. There aren’t many ‘fur and feathers’ films which go down well with me, this is one of the sparse few which qualify as exception.