Despite flaws, in its 133 minutes of runtime, Bhatt churns out a quasi-gratifying film, which has all the necessary commercial ingredients – from romance to good music to thunderous action sequences.

You might guffaw at a few scenes because the film isn’t exactly an epitome of logical thinking. But as an entertainer, it’s colourful, crisp and convivial.

Of all of Chan’s recent escapades, this is the only one that not only lives up to his desired ambitious streak but also has a warm touch to it.

Technically, the film is spectacular. The grand ball scene is fabulously done and the CG is used correctly. Largely minimal on special effects, the visual marvel is exhibited in the fancy choice of locations.

Holding the trappings of its fairy tale source, Cinderella is a treat to watch.

Though it falls short of being an incredible movie but the unique style of narration, makes it pleasantly watchable.

Never soaring above being an outlandish vanity project for Acharya, it offers nothing more than a few lame laughs and garishly set-up songs. It won’t be the worst thing to miss it.

Expect to remain unmoved by this film which tries to unleash the morally corrupt face of Indian politics. The product we have at hand, is a juvenile tryst which focuses on a sexually charged up plot to garner good box office moolah.

…it isn’t extraordinary, failing to rise above the idea that a fat girl needs some schmuck to complete her life. Undeniably, the smarts are visible in its original thinking but it doesn’t translate into a satiating viewing experience.

Brisk and absorbing, concluding differently than expected, Badlapur is an inspired film that dangerously attempts to change the landscape of the thriller genre in Bollywood.

Love, Rosie is quaint comfort-cinema that makes for an amiable watch.