…engrosses its audiences with its visual gimmicks and high octave action sequences. With a bunch of brilliant moments, the movie is all about action overdose and feeble storyline. It’s like junk food that satiates the greed but has no nutritional value. Awake the fanboy in you and go have a good time!

…an indulgent affair that breaks down the boundaries of regular thriller. Mohit Suri has raised the bar with this film that is captivatingly shot and crisply edited. At 2 hours, 7 minutes, the film benefits from the inspired lucidity in writing and dialogues. But mostly, it is the unpredictable skin Sidharth and Riteish don in this film that pulls the carpet from under your feet. Their phenomenal performances remain the movie’s most enticing bit and the reason why I am going to watch this once again. Going with a 4/5, this is one heady film with the desired punch.

Humshakals is the lowest form of buffoonery I have seen this year. It would have been way more harsh if Ram & Riteish were missing from the film. Loaded with indecipherable dim wit, the film is an odd mishmash of pathos and drudgery. Unfunny and strictly for juvenile, I am gonna take the day off to decide whether Himmatwala was better than this. Meanwhile, stick to FIFA and stay away from the cinemas. Going with a very lenient 1.5/5, I am on the brink of lunacy after watching some glop like this.

Fugly must mean trash because I couldn’t find anything better in the film. A film devoid of soul, this movie will leave you mind-fuglied and I assure you that’s a state hard to overcome. I sat through the film in the hope of drooling at Akshay Kumar and Salman Khan’s gorgeous faces in the much hyped song but alas the film doesn’t allow us a single pleasure. I can’t bring myself to give any stars. It was too dumb and doomed to deserve anything.

Nitin Kakkar’s Filmistaan is a crackling movie to the core that doesn’t give you one dull moment in its lambent tapestry. Sharib Hashmi is precocious for a debutant and along with Innam’s adept performance, the duo deliver a effulgent film. I, for one, didn’t get enough of the film and can’t wait to pay the price and watch it again.

Citylights might have its flaws but is overall a film that must be watched. A befitting commentary on social exploitation, the film’s humane touch and the expressive treatment catapults it to a different league. But mostly I find it hard to not sing praises of Raj Kumar Rao whose superlative work gives the film it’s mettle. I ordinarily was going to go with a 3 but for Raj Kumar’s brilliance I am giving this one a 3.5/5. Industry has found an heir to Irrfan Khan and when it comes from a fan, understand that he is a keeper.

Kuku Mathur Ki Jhand Ho Gayi is a jhand film which is better avoided. With a lack of soul and a half baked storyline, the film is a bad mishmash of convoluted screenplay, dull writing and hasty execution. Though 109 minutes helps, the exasperation of having to watch the film surpasses the minuscule joy of it being a relatively short film. Sometimes devil gets the better of me and the concept of being thankless jumps out of the window. Something of the same order happened when I watched a jhand film. I am going with 2/5. Avoid a jhand movie because you aren’t a jhand.

Kochadaiiyaan is ​​not the work of an amateur and I give Soundarya the credit for trying her hand in something so mid boggling as well as dangerous. The mere look at one of the exquisite war sequences​ convey the magnitude of her imagination, but the translation of the same into celluloid was half baked. Despite the story having a soul to it, the animation discrepancies suck it out from the film. IT doesn’t have the quaff value of Avatar but for the thumping effort alone, I am giving this film a 2.5/5. Probably the sequel Rana will have that unprecedented quality I am looking for.

Heropanti makes no fuss about being a bad film. Unapologetical about being a dismal​ and shabby affair, Heropanti serves only two purposes: Giving Bollywood an heir to Akshay Kumar who kick boxes like a star despite having Kareena Kapoor’s cutesy face and an actress who has a lot of latent potential along with her resplendent looks, waiting to be used in the right project.

Lamentably, the film allows no bandwidth to save this Tiger.

If you are going for the film hoping to catch up on some suspense thriller, The Xpose will surely disappoint you. It is a half baked attempt at creating a scandalous 60s era with underlined themes of sex, infidelity and murder. With tongue-in-cheek dialogues, I found the film unsuccessful at creating suspense.