Mohar Basu
Top Rated Films
Mohar Basu's Film Reviews
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The oohs and aahs are limited to the pain of watching the film. This one is an opportunity lost. Even the brightest of ideas go in vain because of bad execution. Love Games is a classic example of it.
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Global Baba is subversive but doesn’t have an inventive streak. It points out problems without delving deeper or providing a solution. This one is just old wine in an old bottle!
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Over its 122 minutes, Love Shagun feels longer than its length. It is one dull, passionless movie that gets nearly nothing right.
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In this country, the glam world permeates into every sphere of our lives. Behind the shine of stardom, there is the struggle of multitudes, who are unable to make it big here. Is this film a befitting tribute to them? No. Lamentably, even with its noble intention and strong performances, the movie never soars.
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Comedies are meant to break the monotony of your life. In this case, you would prefer your mundane life twice over than subject yourself to such stupidity.
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Aashiqui 2 did a good job at bringing back the 90s’ melodramatic romance back but Sanam Teri Kasam is barely as compelling.
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Despite its freshness, the film fails to create an impact. It is hard to be affected by it due to its lack of depth.
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There is very little heart to all the mad rush in the movie. You are moved when Dave adopts the chipmunks legally or when Miles starts looking at them as family and not foes. Frankly Miles’ change of heart was a little out of the blue, but it fits just fine for the age group it is catering to.
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Chauranga is neither provocative nor skillful in its portrayal. Though its last scene ushers in a ray of hope to nullify the haunting gory glimpses from the film, it never soars high enough to affect you.
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The acting department puts together ludicrous histrionics in dialogues that will put Kanti Shah’s Gunda to shame. Aapke wajood ka ansh mere wajood se judd gaya hai is how a woman announces her pregnancy. If you are looking for two hours of laugh-out-loud moments, resort to this unapologetic film. You wish the makers were half as sorry as their title claims.