Kakki Sattai is a crowd-pleaser that knows exactly who its audience is.

Watch Yennai Arindhaal for Ajith’s majestic screen presence and the underlying emotional current.

I is definitely not the best of Shankar, but still it is a one-time watch.

Kappal is a watchable fun ride with witty dialogues and good writing.

On the whole, it is a technically magnificent and emotionally wrenching experience.

Meaghamann is another film where the plot is ambitious and paper work is good but falls short in execution. Acting in most parts is acceptable but the film never manages to captivate its audience.

The screenplay of Lingaa skittles from cliché to cliché, packing in every stereotype you can think of. What saves this film from complete disappointment is Rajinikanth the larger-than-life superstar. On the whole, Lingaa is a well-worn, formulaic fare that might appeal to viewers who find comfort in the familiar, and who are still excited by the age-old hackneyed stories about a mass hero turning savior to a village. If it’s not entirely unwatchable, you have Rajinikanth to thank!

Ra is watchable for its highly engaging first half and the experiment attempted by the newcomers.

Vasanthabalan deserves a pat on his back for coming out with a brave and unflinching film that oozes the kind of sincerity that you long for in most Tamil films these days.

Naaigal Jaakirathai is a film where the idea sounds good but falls short in execution.