All in all, Delhi Belly is a fine example of how the brightest and the boldest, when they pool in their talent, can create a film that is guaranteed to give you your money’s worth, even as it re-writes all the moth-balled rules of an ageing industry.

Way to go Mr Bachchan. We always maintained you were the best. Of course, the film has its loose and superfluous moments, but those are easily ignored.

This one’s definitely not for the fastidious, choosy viewer but for those who don’t mind losing it for a bit, Double Dhamaal works like an average Bollywood comedy. Performance-wise, it’s one big circus with the guys hogging most of the limelight. The girls — Mallika and Kangana — are mere confetti.

It’s all foregone and predictable apart from being inordinately long. School is agony; school is ecstasy. Always Kabhi Kabhi captures neither and treads the staid middle ground.

You do end up a few shades disappointed with the sequel, specially since the first part was such a scintillating act. The humour is laid back, the laughs are too few and far between and the tango between Vinay Pathak and Kay Kay Menon lacks the chemistry that crackled between Pathak and Rajat Kapoor in part one.

Go celebrate the cornball comic display by Salman Khan. You won’t get bored.

Kucch Luv Jaisaa is largely a case of promises unfulfilled.

The highpoint of the film lies in the fact that it explores paranormal activity without abandoning science and rationality. And that indeed is a rare achievement. Set against the backdrop of a medical college, the film takes up the usual issues of ragging and student suicides but gives it such a tangy twist, you end up literally KOed.

Don’t miss this rich and nuanced soul curry for both, the young and adult heart.

Punctuated with thrilling chases and shoot-outs in the crowded by-lanes of Delhi, Shagird is another interesting film from maverick director Tigmanshu Dhulia who made an impression with Haasil, his very first film.