Watch it for its novelty and for the fact that Ragini MMS makes a heady cocktail of sex and horror that’s so very different from run-of-the-mill Bollywood.

The film does have a sweetness that grows on you and seasoned actors like Ram Kapoor and Madhoo add a dignity to their roles. The love birds Tusshar and Amrita are in sync with each other, but the film is so predictable and so long, it loses impact.

This one is romance in reverse. And that’s the only novelty the film can boast about. While most Bollywood love stories reach a fruition, Love Ka The End works feverishly — and foolishly — towards love’s decimation.

The film has so much soul, specially in the climax, it makes up for any shortcomings in story and vision.

Shor in the City may be another dekko at merry, murky, mad city Mumbai but not once do you get a sense of deja vu. And that’s because this one’s a completely quirky cameo on a city that continues to hypnotize people with its chameleon hues. The film posits the metropolis as a character in the film.

An interesting watch for kids, Zokkomon may be the beginning of a better branch of tween films.

This one’s complete paisa vasool fare.

The film however lacks consistency and some of the comic situations fail to evoke any humour. While the brothers try to co-exist peacefully in the ramschackled bungalow and almost end up killing each other, the drama holds your interest. But as it moves out into the wilderness, with blondes, dogs, drugs and cops, it loses track.

High production values — glitzy locales, jazzy styling — and Pritam’s pop numbers and you have a film that can be an average weekend getaway. Nothing more, not even Mallika Sherawat’s item number.

The problem with F.A.L.T.U lies in its tone. It doesn’t know whether to unfold as a full blown comedy or take itself seriously by providing some gyan on the education system.