• For the first hour of the film, Maneesh keeps the story moving smoothly. But it eventually suffers from over-plotting and a grievous lack of logic.

  • Watch Kapoor and Sons to celebrate your imperfections. Here’s a perfect ode to being imperfect…how definitions dampen life. Live in the moment and enjoy every bit of the carnival we call life. 

  • Heartbreaking, triumphant, defiant, shocking, Hansal Mehta successfully manages to blow your mind with this heart wrenching film. Manoj, Rajkummar and Apurva all emerge as heroes in their own right. It is one of those rare times when the film wins.

  • Neerja has a haunting impact. You are terrorized, you are heartbroken, you are overwhelmed but mostly you are deeply influenced by her strength and courage. More than anything else, Neerja is inspiring.

  • Fitoor stands in a shaky space, wobbling between being average and brilliant. There are moments that will blow your mind – the passion is enlivening. You want to invest in the characters, get sucked into the extravagant world of enchanting valleys and the stories that inhabit its nook and corners, alleys and bylanes…with the Persian lyrics of Haminastu in Zeb’s earthy voice echoing in your ears… Sadly, the only love story you would want to celebrate in Fitoor is the director and cinematographer’s love for ethereal beauty of Kashmir and Amit Trivedi’s undying romance with melody. The rest of it is prosaic.

  • Saala Khadoos’ flaws overpower its genuineness. We wouldn’t go as far as to call it a shallow film, but there is a serious lack of heart that cannot be compensated for. 

  • Airlift is gripping in its first half and shaky in its second. It starts off with gusto but loses momentum halfway through. As you root for the indomitable spirit of those who survived the horrific war, let’s take a moment to think why such well-mounted films fail to create the macabre, suspenseful, race-against-time impact. Why settle for being just about okay when you have the makings of being mesmeric!

  • Wazir has all the makings of an irresistible, sexy, tempting thriller that comes together in its climax but doesn’t roll out as convincingly as expected. It tries to be deceptive but doesn’t have enough to outsmart all. It evokes thought, woos you with its brusque, bravado style and its distinct flavour. If you can survive the boredom of the weaker moments in the movie, you might just be left intrigued with the power of its crackling climax.

  • Its gimmicks, its indulgence, its flaws, all blend in by the time the end credits roll. The sweeping visuals, the distracting tapestry, the engaging love story and the unapologetic, unabashed love for the celluloid is what makes Bajirao Mastani haunting. Bajirao Mastani is monumental… Every line has a dialogue polished with care, every shot a dream you are bound to love. SLB has never been this earnest and that’s enough to forgive all his aiyashis he has subjected us to. This one is just Mohabbat…straight from the heart.

  • Tamasha is not a romantic comedy but it is breathtakingly romantic. It will knock the wind out of you. It is the kind of love that changes you, brings out your real self – ugly, eccentric, absolutely weird but affable. Imtiaz’s films cast that spell, catapults you into a parallel world and this time he pulls it off better than ever before. Give your conflicted side a chance, it probably can do better than you believe.

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