• Court — a singularly strong directorial debut — gives us stunning snapshots which should work sensationally well for a festival audience, but, to the Indian viewer, are not truly new or holding any strikingly original thought.

    We know this, all of this.

    But perhaps the point Tamhane is trying to make is that it isn’t important that we should know, but that we know better.

  • Well shot and featuring mostly minimal background music, NH10 is starkly different from what we are routinely served up at the movies.

    It is a scary, compelling ride featuring an actress who surpasses herself.

  • Dum Laga Ke Haisha is so simple that it never gives you a single moment of unpredictability…

  • As the curtain falls on Badlapur, any argument on rightness feels both moot and muddy.

    This is a noir world, its aftertaste like chocolate with 85% cocoa, and the answer is deceptively simple: Who gets right of way? The one in a greater hurry.

  • Whiplash is a film that captivates right from the start and reels in the viewer in that seductive way only the finest jazz can…

  • Ugly is a tale of torment, masterfully woven around the universally urgent trigger of a disappearing minor — and yet where, in the larger scheme of things, that kidnapping itself becomes, I daresay, a minor detail. Genius.

  • PK is no satire — it’s a bit too toothless for that — but it is a rollicking mainstream entertainer with ambition to evoke some introspection, one with compelling moments and some genuine surprises.

  • Action Jackson is a drinking game of a film, one well over the so-bad-it’s-good line, its main merit being that in a sea of superstar-massaging vehicles, it holds some genuine surprises — and makes sure its hero looks like a jackass.

  • Go, get to know Boyhood. Soak it in and let it enrich you, amuse you, hold you close. Let it open your mind a little bit more toward the possibilities great cinema holds. Live it. Let this film be your jam.

    To paraphrase John Lennon, life is what happens when you’re busy watching other films.

  • Rang Rasiya is not a consistent film, but one that tells a story of a pioneering artist and visionary, a story decidedly worth telling..

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