Aligarh is an important film, and it’s powered by sensitive writing, nuanced direction, and masterful performances from its central players.

A well-intentioned, heartfelt film that pays tribute to a real hero…

At times the film feels overstuffed from too much history being condensed into 2 hours. But it’s consistently engaging, primarily on the strength of Cranston’s riveting, heartfelt performance, which has deservedly earned him an Oscar nomination this year.

Far more daring, outrageous, and smart, compared to all those typical ‘the-world-is-going-to-end’ comic book movies, Deadpool is the most fun I’ve had at the cinema in a long time. It’ll bring out the 15-year-old in you.

Kapoor ditches many of the overarching social themes of Great Expectations to focus on what is primarily the story of star-crossed lovers and a complex romance. Fitoor isn’t perfect, but it’s a skillfully made film that’s easy on both the eye and the ear. In these times of fast-paced, hyperactive storytelling, you can appreciate the film’s dreamy, moody pace.

Ghayal Returns isn’t unwatchable – far from it. But it’s old-fashioned and evokes a distinct sense of déjà vu.

It’s not the most pleasant story to watch, but it’s a powerful, unsettling experience that you won’t forget anytime soon.

Saala Khadoos sticks to familiar ground as far as a sports film goes, although the climatic bout is genuinely thrilling. Amidst all the faux sentimentality, we still get a protagonist that we can’t help rooting for. That is the film’s real success.

For some, the promise of two Sunny Leones for the price of one may be enough to invest in a ticket of Mastizaade. But believe me, there is such a thing as too much heaving bosom and jiggling backside. I found myself cringing more than laughing at the film’s idea of outrageous, adult humor.

Joy is a misfire, no questions asked. A crushing bore of a film from a director who has shown he’s capable of so much more.