Never as rich and complex as some of the studio’s best films, The Good Dinosaur stands out nevertheless for its beautiful rendering of the natural world. Make sure you reach the theatre on time so you don’t miss the terrific animated short Sanjay’s Super Team, based on a “mostly true story” about how a little Indian boy came to discover and love the Hindu superhero gods that his father worshipped.

Tamasha doesn’t come together satisfactorily, but it’s not for a lack of trying. There’s a lot to appreciate here, and more than a few moments that’ll break your heart.

Aside from a few moments of great power – Jess walks into an elevator and straight into her daughter’s murderer, who’s just been let go – the film feels surprisingly generic. It neither raises the ‘creepy’ factor to Zodiac levels, nor does it leave you pondering its moral dilemmas the way Prisoners did.

Like a satisfying masala Bollywood film, Spectre is strictly escapist fun. Nothing wrong with that. It’s just that you know what they could’ve pulled off had they tried harder.

…the predictable plotting and the lazy characterization never really allow you to be invested in any of the film’s characters or to even care for them. Make no mistake, Salman Khan is the sole draw of this film, and he works hard for his top billing. The actor is in good form – terrific in the comic scenes, and earnest in the emotional ones – turning on the charm to help you survive, and even enjoy, this nearly 3 hour film that’s crammed with songs, and over-styled to a fault.

It’s familiar stuff, but also unmistakably entertaining.

There’s nothing path-breaking about Goosebumps, but it never bores. There’s an old-fashioned playfulness to the ‘horror’ scenes, and frankly I thought there were more laughs than scares. It’s one of those films that the family can watch together. Not a bad way to spend two hours.

Watching the film earlier this week, a whole year after I’d last watched it, the violence still felt stomach churning, and I still came away impressed by the unexpected moments of humor that Behl had managed to sneak into this intense drama. Titli is relentlessly grim and yet unmistakably powerful and moving. It may not be everyone’s cup of tea – it’s especially not for the squeamish – but it’s an unflinching study of family in the way that the movies rarely provide.

These are small mercies in a wildly inconsistent film that seesaws unevenly between charming and WTF! It’s especially disappointing coming from the very writers and director that gave us last year’s terrific Queen. Don’t say I didn’t warn you.

The film is funnier and slightly less misogynistic than 2011’s Pyaar Ka Punchnama…Someday we’ll get a smart film on the battle of the sexes. Until then, perhaps cheap laughs will have to do..?