• In the end it is Bhansali – credited for screenplay, editing, music, and direction – who leaves his stamp all over the film. He brings great style and aesthetic to an unapologetically commercial film, which I’m happy to say is far more engaging than the lazy blockbusters we’ve seen lately. It’s great fun – not the word you’d normally associate with a Sanjay Leela Bhansali film.

  • The film is ambitious but flawed. It is, however, consistently watchable for its terrific lead star who you can’t take your eyes off, even for a moment.

  • It’s brutal, edge-of-the-seat filmmaking that you cannot afford to miss.

  • The film itself is brave and unflinching, and oozes the kind of sincerity that you long for in most Hindi films. I’m going with four out of five for Hansal Mehta’s ‘Shahid’. Well made, and gripping till the very end.

  • It’s a nice, original rom-com with a sci-fi twist. How often do you come across something like that?

  • For all its slick technical wizardry, Gravity is about hope and courage and the will to come out alive. To best enjoy it, go in with patience and an open mind. I’m going with four-and-a-half out of five.

  • The budget’s bigger and the special effects are slicker, but this is a blockbuster with a brain. Best enjoyed with a big helping of popcorn.

  • Despite an overlong final act, Prisoners is a remarkable exploration of characters under pressure. Packed with surprising twists, it keeps you guessing until the end. I’m going with four out of five. Don’t miss it.

  • The film’s early half is a little too schmaltzy, crammed as it is with too many scenes that point to Oscar’s kind heart and potential that sadly couldn’t be fully realized. It’s meant to make the gut punch of the film’s climax that much harder. But it doesn’t matter, because the first-rate acting, and the knowledge that this actually happened makes this a deeply moving film. I’m going with three-and-a-half out of five for ‘Fruitvale Station’. It’s a story that deserved to be told, because it’s an issue that refuses to go away.

  • It’s consistently engaging. Don’t miss it.

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