Whatever one makes of it, one must give both Rajinikanth and Soundarya props for effort. If the film doesn’t work, it’s not for lack of trying. I’m going with two out of five for Kochadaiiyaan. This one’s strictly for fans.

Culminating in a Dilwale Dulhania Le Jayenge-inspired climax, the film’s conflict is quickly resolved, but not before someone conveniently rips the shirt off Tiger’s back for a glimpse of his rock-hard abs. Subtlety is not this film’s strength. Newcomer Kriti Sanon looks lovely and makes an impression despite her harebrained role. We’ll just have to see both these kids in better films to give them a fair chance.

The stereotypes notwithstanding, ‘Million Dollar Arm’ is solidly staged, and inhabited with richly-drawn characters. AR Rahman’s soundtrack fits in nicely with the narrative, making this a pleasing enough watch for the weekend. I’m going with three out of five. If you seek comfort in the familiar, this film won’t disappoint.

A slim story told with heart, Hawaa Hawaai is among those rare films about the hard lives of impoverished kids that’s never patronizing. Gupte deftly captures the innocence of children, and gives us some terrific moments that are genuinely moving. The occasional false notes notwithstanding, this is a movie that should be watched. I’m going with three out of five for Hawaa Hawaai. Strap up and zoom.

…a well-intentioned film that wears its message brazenly. It’s an important story that deserves to be heard.

This is that rare love story disguised as a big-budget superhero film.

Pfister, best known as Christopher Nolan’s director of photography, may be drawn to a similar kind of thinking-man’s blockbuster, but ‘Transcendence’, unlike Inception or The Dark Knight Rises, remains simplistic and predictable. The film looks good, but it’s never as smart as it should be.

Parental opposition is one of the oldest conflicts as far as love stories go. Sure, the culture clash here gives us some genuine laughs. But at 2 hours and 30 minutes, this is a long, indulgent film that wears you out. I’ve never rooted so hard for a couple to get married. If only so I could go home.

Blessed with a natural presence and lots of charisma, Woodley makes for a worthy leading lady, while Theo James broods and smolders in all the right ways as her trainer and love interest. But the film’s bland execution and its muddled message make it hard for you to connect with it.

Despite the uneven writing, the film works because it has heart. I will also say that depicting violence against children to appeal to one’s emotions is wrong on so many levels. Still, “Bhoothnath Returns” is anchored by terrific performances from its central players: Boman Irani, Amitabh Bachchan, and the surprise packet that is Parth Bhalerao.