Despite the impressive cast (Taylor Swift has a cameo), performances are uneven. Bridges and Streep stand out but the others are somewhat unconvincing. Conceptually, there are also bits reminiscent of *The Matrix* some Orwellian Big Brother ideology and dashes of *Divergent* in an overall attempt to convey the film’s core message – do we sacrifice pain and pleasure in the quest to attain a ‘perfect’ existence?

Despite these chinks, the charming performances, strange characters (don’t miss Del Toro as The Collector), spaceships and of course, the 70s soundtrack (a highlight by itself) make this one a heck of an intergalactic romp.

What’s interesting is that directors Lord and Miller never lose sight about what they’re serving up their audience – a simple and enjoyable comedy based on an old TV show (*21 Jump Street* that ran from 1987 to 1991). Here, all the veiled jokes as well as the blatant gags (Hill and Michael Bacall co-write) might even warrant a second viewing. Go for a load of laughs and stay for the end credits.

When Johnson isn’t punching and slashing, he conveys the softer emotions rather well. His pals though, whether by design or not, don’t leave an impact. Fiennes’ Eurystheus deserved more screen time. The climax could’ve been better and while the battles scenes aren’t as epic as *Gladiator*, the film, along with its sprinkling of tongue-in-cheek lines, makes for a fun watch.

Decidedly different from super-budget, superhero fare, this one is sometimes sappy but mostly engaging and definitely driven by music.

Be it fiery photogenic explosions, smashing buildings, mega monster battles and more, there is no doubt that action rules this film.

Pleasing yet somewhat predictable, this film marks a sharp departure from Favreau’s various blockbuster (*Iron Man*) films into something far simpler. Johansson, however, is somewhat under-used but on the whole, the story is paced nicely. With food remaining the biggest star of this show, the side dishes also include some family-bonding as well. And the result is a serving of something refreshingly original.

Writer Hiroshi Sakurazaka’s story has solid sci-fi credentials and Cruise proves that he still has the chops to pull off mega action movies. Edge of Tomorrow is one of his most compelling and nuanced performances in this genre.

If you enjoy savage, on-screen action that is unabashedly over-the-top and even sometimes borders on pastiche with all the gangster film tropes, don’t hesitate to go watch this.

Maleficent is pretty much Angelina Jolie’s vehicle all the way, because looking at how she fits this role down to the letter, it’s hard to imagine anyone else inhabiting the character of a good person-turned-evil as well as she does in this film. Fanning imbues her character with a freshness that balances off nicely against Maleficient’s demeanour. All in all, an imaginative take on the old classic.