When Johnson isn’t punching and slashing, he conveys the softer emotions rather well. His pals though, whether by design or not, don’t leave an impact. Fiennes’ Eurystheus deserved more screen time. The climax could’ve been better and while the battles scenes aren’t as epic as *Gladiator*, the film, along with its sprinkling of tongue-in-cheek lines, makes for a fun watch.

While the film is pretty to look at (the rendering of forest fires are pretty realistic), it’s not in the same league as a *Frozen*, *Shrek* or *Toy Story.* While the script is full of obvious and easy aircraft metaphors which are funny, it lacks the kind of witticisms and wisecracks that elevate other contemporary animated films so that they can be enjoyed by a much wider audience.

Decidedly different from super-budget, superhero fare, this one is sometimes sappy but mostly engaging and definitely driven by music.

Be it fiery photogenic explosions, smashing buildings, mega monster battles and more, there is no doubt that action rules this film.

Pleasing yet somewhat predictable, this film marks a sharp departure from Favreau’s various blockbuster (*Iron Man*) films into something far simpler. Johansson, however, is somewhat under-used but on the whole, the story is paced nicely. With food remaining the biggest star of this show, the side dishes also include some family-bonding as well. And the result is a serving of something refreshingly original.

Writer Hiroshi Sakurazaka’s story has solid sci-fi credentials and Cruise proves that he still has the chops to pull off mega action movies. Edge of Tomorrow is one of his most compelling and nuanced performances in this genre.

If you enjoy savage, on-screen action that is unabashedly over-the-top and even sometimes borders on pastiche with all the gangster film tropes, don’t hesitate to go watch this.

In their unintentional quest for love, Jim and Lauren’s lives and dealing with loss, single parenthood and divorce, offers an interesting and unintentional insight into suburban middle class America. Sandler is firmly in his comfort zone and Barrymore is the cute person she is in most of her films. The movie is no doubt funny, but the genuinely good jokes are just by the handful.

Maleficent is pretty much Angelina Jolie’s vehicle all the way, because looking at how she fits this role down to the letter, it’s hard to imagine anyone else inhabiting the character of a good person-turned-evil as well as she does in this film. Fanning imbues her character with a freshness that balances off nicely against Maleficient’s demeanour. All in all, an imaginative take on the old classic.

Though there’s no shortage of fantastic special effects, the film isn’t in the least bit overbearing. While it assumes viewer familiarity with all the characters, *Days of Future Past* does manage the improbable task of combining almost everything that we love about the X-Men series, in one place.