This Robocop manages to resurrect the franchise and establish a strong build-up for sequels to follow.

It may have started out as a noble intention, but the film’s execution is outdated and comes across as cliched. The linear storyline and overtly simplistic narrative may appeal to those who prefer the formulaic cinema of the 80s. Thus, the film might find appeal in mass audiences, which explains its style.

…encourages you to be cautious without being preachy. It’s fairly entertaining but loses focus and wanders around aimlessly, just like its protagonists’ road trip.

If you want to eat that popcorn and enjoy a horror fantasy, go for it. But if you want to revisit the legend of Frankenstein, watch the 1931 classic again.

For avid fans of espionage thrillers, Jack Ryan: Shadow Recruit is modestly watchable. For the rest, wait for something different.

Gupta’s feel-good parantha lacks spice and makkhan.

The lead actors have good screen presence but need to undergo voice modulation for their pitch stays constant. The chemistry between the two doesn’t work either. Supporting actors are pleasant, but don’t add much to the proceedings. The abrupt climax doesn’t live up to the strong initial build-up either.

…if salvation is what you seek, Mokssh is liberating. Like Parth, you may find your answers too. At times, while analysing someone else’s behaviour or studying their nature, you end up discovering yours. Faith is all it takes…take this emotional voyage.

To begin with, the title has absolutely no relevance to the film. There is no defined storyline whatsoever.

If Lucky Kabootar was meant to be a romantic comedy, not a single scene makes you laugh or feel the love. The crudity of the language makes you cringe instead. It’s only right if Punjabis take offense, for their portrayal is vastly unflattering.

The ‘idea’ behind the movie can be appreciated for its novelty but it fails to develop into a full-fledged comedy of errors, which was the intention. If you like funny movies, there are plenty more fish in the sea.

If you like ‘grim dystopian sci-fi films’, Catching Fire is a spectacular ‘edge-of-the-seat’ thriller, which is unnerving, emotionally intense and immensely engaging. Unlike most sequels, Francis Lawrence ensures that his installment is not just a remake. While the first focussed on the deadly games, this one’s more about the political moves and strategies.