Highway is a must watch as much for what it is as for what it isn’t.
It is not a typical romantic drama, nor an average love story. It is a road movie with a difference.

For filmgoers who love cinema that pushes and prods them into new directions, no matter how baffling, Miss Lovely is bound to be a memorable treat.

Strongly recommended.

From dilkashi to junoon, the start and end point respectively of Khalujaan’s take on the seven stages of love, the film has them both and everything in between and beyond.

The effect of 3D is felt only occasionally, but this is a restored print that should do the rounds in 2D format as well.
Sholay was a landmark Hindi film, and a repeat run can only help today’s moviegoers appreciate the sheer scale of the ambition and achievement that it represented.
Sholay was an event when it hit the screens way back in the mid 1970s. Its reappearance in a new format may not create quite the same ripples, but Sholay, 3D or not, is definitely worth a revisit.

This time around, the bikes, babes and brawls formula is dished out even more liberally than before. So, for the most part, Dhoom: 3 is a high-voltage action flick that relies squarely on known methods of the genre. But watch it all the same for Aamir Khan and the hi-jinks.

Go and watch the film – it is one of the most important films to come out of Mumbai in a long, long time.
Shahid deserves more than just a standing ovation. It deserves accolades for standing up to be counted and narrating the kind of story that is usually buried under mainstream media cacophony.

Gorge into it and savour its lingering aftertaste. The Lunchbox holds riches that aren’t likely to be forgotten in a hurry.

Madras Cafe is not your average Bollywood thriller. It crackles with genuine energy and is marked by true empathy for humanity.
It is an unqualified triumph.

Chennai Express is a full-on masala film that is completely unapologetic about its intentions. And that is its USP.

BA Pass combines the bone-dry quality of a chiselled short story and the stark directness of a minimalist tragedy to deliver a taut, gripping film about the hell that a big city can be behind the bright neon lights and the living room glass cabinets stacked with flashy dolls.

Not to be missed.