Simmba is the kind of film that derides toxic masculinity while ill-advisedly celebrating unbridled virility as a necessary component of law enforcement. Instill fear in the hearts of the wrongdoers, Singham advises Simmba. And how, pray, do you do that? Simmba advocates throwing due process out the window and embracing another flagrant form of lawlessness. And that can only be dangerous.

Zero, riding on SRK’s back, reaches for the stars. But its astral ambitions are thwarted by a lack of imagination and genuine understanding of the minds of people struggling to ward off undeserved ridicule and earn rightful recognition. But whoever expects such niceties from a movie that rarely rises above the level of unalloyed bilge?

Jason is a potent force, bringing forth the dimensions of the struggle of a hero who is at first reluctant to jump into battle

While Sushant Singh Rajput does much of the heavy lifting with a great deal of flair, the biggest asset is Sara

Glitzily mounted but caught between solemnity and fluffiness, Thugs of Hindostan might entertain large swathes of the audience, but it is ultimately too tacky and unconvincing to lay legitimate claims to being India’s answer to Pirates of the Caribbean. It isn’t even a poor copy.

Saif Ali Khan Is Rock-Solid In A Passable Film…But Rohan Mehra struggles to tide over his limitations while Radhika and Chitrangada make their presence felt

Parineeti Chopra And Arjun Kapoor Ham Aimlessly Through Infantile Drama…

Shraddha Kapoor is occasionally fetching but what unfolds on the screen is precariously low on wattage.

You do not need to subject yourself to its surfeit of action, comedy and melodrama unless you are an inveterate fan of the Deols, collectively or individually. What Yamla Pagla Deewana Phir Se offers purely as a cinematic outing isn’t worth your time.

In the ‘morality’ tussle between a putative saviour and an unflappable defender of justice, it is cinema that takes a major beating. Satyameva Jayate, truth be told, is a film that has no apparent reason to exist. Not a shred of it is original. At best, it makes a silly spectacle of beating a dead, decomposed horse. At worst, it is a product of a tendentious mind. Satyameva Jayate is nonsensical, with nary a nod to logic.