…a total waste of time, energy, money and is excruciatingly drilling. You can go on and on about the films flaws but then can this feign be called a movie in the first place? Lets Film maker decide that first.

Kanche is another film where the plot is challenging and paper work is good but falls short in execution. Acting in most parts is acceptable but the film never tries to captivate its audience through its narration. The story progresses on predictable lines and things become boring, after a while. In short, it can be safely said that Kanche is Krish’s weakest work so far in his career (Only after his Bollywood film Gabbar). But it’s quite normal that you tend to forget the flaws and appreciate the best things about Kanche, due to its underlying honesty. It may not be there among the best, but the hard work that has gone into its making needs a dab.

The film has its moments but falters badly with its plot.

Mukunda has its moments in its initial scenes, but gets very boring post-intermission. The drama between the leads never builds up, nor does the story agrees to step ahead, resulting in a below average film, thanks to few songs! Watch it, if you really have to.

Rough gives a weird sense of disappointment, the kind that you get even when you weren’t expecting anything to begin with.

The major letdown in remake comes mainly from the script work and the direction. The script with more tongue-tied anxiety than sense, fails to capture the nature of the original and G Nageswara Reddy spineless guiding comes across as more concerned with perceived commercial viability rather than pure story-telling craft.

OLK actually has some obliging situations and interesting pair but regrettably the screenplay and treatment have no idea what to do with them. First half of the film is flat, whereas the drama in the second half doesn’t hold. The outcome is yet another case of “had potential couldn’t deliver”, a syndrome that Telugu cinema is blight with for quite some time now. To cut the long story short, “Oka Laila Kosam” starts promisingly, bringing on some grins, but those grins vanish faster than it takes to “say cheese”.

To look for mainstream plot, esthetics or treatment in Power is pointless. It is shamelessly commercial. On the whole, even if you are a big fan of no-brainer commercial entertainers, we would suggest you to watch Power on home edition.

Nee Jathaga Nenundalli is more of a rehash than remake. Soulful music, High-end Production values and Cinematography Nee Jathaga Nenundali had its chances but the predictability, poor translation, worst performances and the pointless lyrics in the film kill them ruthlessly. The problem is not that the storyline is inspired, but the issue is with the overall handling. The pace of the film is so slow throughout and is always interrupted by songs with meaningless lyrics. The dialogues are poorly written and wafer thin script has nothing much to offer. In amovie like this one needs to feel for their love and romantic world. But sadly it never really happens. The proceedings remain dull and drab leading the audience to point of vexation.

Few decent performances, couple of songs and a few punchy – rhyming dialogues alone don’t make an interesting rom-com if the plot and direction is lackluster. First half of the film is routine but has some good entertaining episodes, it’s the second half where director tries something out of the box and fails to convey it properly. Positives of the film are Cinematography, Music, Basic Point and few dialogues. The film misses the point in the second half but nevertheless makes us smile for a while.