Vishal Bharadwaj ambitiously mounts Rangoon but the execution of this Kangana Ranaut, Saif Ali Khan and Shahid Kapoor film never manages to match its intentions.

Katherine Johnson, Mary Jackson and Dorothy Vaughan are as geeky and nerdy as the men, but they are treated as the ones who will clear the trash and offer clerical services, when asked.

Akshay Kumar brilliantly carries this film on his brawny arms and is ably supported by Saurabh Shukla and Annu Kapoor. The film has a few dips but offers enough heft to keep you engaged.

Jackie Chan and Sonu Sood’s promotions of this film was way better than anything that the movie has to offer.

Hrithik does all the heavy lifting and remains the only bright spot in this dispirited mess of a movie. He still has the moves. What he needs is a plot.

Shah Rukh Khan manages to break through in some scenes but this film belongs to Nawazuddin Siddiqui who is having the time of his life.

When the film is about Don Dawood and an Arnab Goswami doppelganger, you expect jokes galore. What you get instead is this craving to run as far away from theatre as possible.

Shweta Tripathi and Nawazuddin Siddiqui front a film about a topic we barely acknowledge, forget showing it in our films. Director Shlok Sharma shows talent.

This Aditya Roy Kapur, Shraddha Kapoor film proves Bollywood needs to get more adept at depicting young love. Why do our lovers, so much quicker off the mark when it comes to locking lips, sound so juvenile?

It is a little too dark and sparse for little kids, and too obvious for those who have crossed over into adulthood