Sachin Tendulkar biopic has moments that you have not seen before, especially with his parents and elder brother, his wife and children and his coach.

Other than a few faultlines, this is a superb film that shows us how it is entirely possible to die, irradiated by life.

Fairytales do come true and the story of Poorna Malavath is the proof. Her biopic, directed by Rahul bose, does justice to the extraordinary story of a 13-year-old tribal girl climbing Mt Everest.

Alia Bhatt’s rebellious dulhania meets Varun Dhawan’s boy-man Badrinath, what follows is a flavoursome romance which is way ahead of Humpty Sharma ki Dulhania. Sit back and applaud.

Katherine Johnson, Mary Jackson and Dorothy Vaughan are as geeky and nerdy as the men, but they are treated as the ones who will clear the trash and offer clerical services, when asked.

Akshay Kumar brilliantly carries this film on his brawny arms and is ably supported by Saurabh Shukla and Annu Kapoor. The film has a few dips but offers enough heft to keep you engaged.

It is a little too dark and sparse for little kids, and too obvious for those who have crossed over into adulthood

Aamir Khan-starrer works on the twin parameters – as a straight-forward film about a popular sport and those who play it, and as a strong feminist statement.

Yes, it’s grid is predictable: in its beginning is its end. But, and this is the strength of the film, it moves past a leaden start, revs it up, and becomes quite entertaining as it goes along.

Pink, perhaps called thus because the colour is girly, subverts it and turns it on its head. In its best bits, the film blazes, its call-to-arms radiating outwards and forcing us to acknowledge uncomfortable truths. It has something to say, and says it with courage and conviction. Gather everyone and go; and while you are at it, spread the word.