I would recommend ‘Club 60’, because it brings into the frame an age group euphemistically called the ‘silvers’, and by touching a chord with its performances. Farooque Shaikh is as solid as ever. And he is given company by the lovely Sarika, who locks into her role with a terrific wet-eyed moment. She keeps him and the film going.

…the film piles up every single tiresome cliché from all similar films in the past, while telling us nothing we want to know. Or see.

…creates a couple that ignites the screen, and most of the time when these two are on screen, you keep watching. It’s when the guns come on, and the gun-masters start roaring and shouting, that the love-story drowns, and everything gets both too noisy and too choreographed. I enjoyed the lovers, and their ram-leela: if only the film had been more ras, not goli-leela, more roses than guns.

… the shape-shifting Loki is the only character who makes himself new and interesting. When he is around, ‘Thor: The Dark World’ becomes a different film altogether. You wish there was more of him.

The rest of it is metal clanking.

‘Satya’ was a gamechanger. ‘Satya 2’ is not even in the game. ‘Goli maar bheje mein’.

‘Krrish 3’ is a superhero film. It is also a throwback to the creaky family entertainers Bollywood used to make. The hero has special powers, sure, but also a loving daddy, a lovely wifey, an attractive moll and a villain with severe daddy issues. Only a pet poodle or parrot is missing.

A complete waste of two hours.

It’s all fun up to a point, and despite a couple of amateurish edges, the director shows potential.

The lines overall are cringe-making, and aimed at those who find a truck named ‘Behen Ki Lorry’ funny. Really, Akshay?

…the theme, fronted by the two lead actors, had the potential to be a zinger.