3 AM is a sharp slick scare-fest. It delivers the fear quotient without resorting to cheap gimmicks or excessive gore.This pyara para-normal experience may take you by surprise during a week when Hollywood unleashes a big-budget fear fest like Deliver Us From Evil.

Dr Cabbie is a full-on melodrama marathon with lights camera action and reaction….all lined in in one chic range of vision to suggest a sparkling celebration of desi glee in a firangi setting.

I came away with the baap-beti relationship rather than the love story. As for food, I craved for more.

Burp re burp.

Hrishida won’t recognize this as his Khubsoorat. But he won’t disapprove of what has been done to his work.

This is Zindagi Milegi Na Dobaara of the Goan world where aspirations are so low you would have felt embarrassed for the characters if they hadn’t decided to preserve a core of dignity during times of tumult and stress.

Creature is bigger scarier than Raaz and Raaz 3. If you like your scares to be anything but scarce this is just what the doctor ordered….unless you’re weak-hearted.

Mary Kom is a motivational masterpiece. From first frame to last it grips your senses and irrigates the parched corridors of your heart like very few bio-pics in recent times. Debutant director Omang Kumarweaves seamlessly in and out of Ms Kom’s remarkable life creating a work that is as dramatic as Mehboob’s Mother India and as inspiring as Attenborough’s Gandhi.

Priyanka Chopra’s powerhouse performance knocks the breath out of our solar plexus .She yet again proves herself the best actress of her generation.

In a film swathed in the aura of a doom there are flashes of tremendous humour and warmth. A brave bold thought provoking sensitive thriller . Strongly recommended.

Sassy and slick, Raja Natwarwal is a con caper done up in playful shades and mischievous flavour. It’s enjoyable while it lasts. But you don’t come away with anything besides the feeling that the material should have carried for heft. If only everyone was not busy being someone they are not.

A stellar cast only adds to this accomplished film’s sense of creative propriety.

Mardaani is a film that makes all the correct noises about child trafficking. And by “correct noises” I do mean the soundtrack which is among the most evocative provocative and satisfying in recent times.