• There is a virility and fluency to the storytelling. Singh Saab The Great is a homage to the cinema of the 1980s when Sunny was the daredevil determined to bring on a social reform. Somewhere, that hero lost his way. It’s good to have him back.

  • What a Diwali dhamaka this is!

  • This is a fast-paced, zany, full-on masala fare. There is a tempting swagger to Akshay`s performance matched by the narration`s tidal tempo. Irresistible energy and endearing gusto underline the show`s voracious appetite for a comic kill.

  • This film gives a nimble twinkle-eyed satirical slant to the scourge of war. Warm and well-packaged with intelligent performances, War Chodd Na Yaar flounders when it abandons the human aspect to get into the nuclear zone.

  • For a film about losers “John Day” proves to be a paradoxically profitable movie-viewing experience for the audience.

  • This is one remake that stands tall and lithe. It is manned by a manful supply of action and yet manages to keep the machismo understated. Breakneck-paced, adrenaline-pumping, pulse-pounding — Lakhia’s deconstructed version of the Prakash Mehra film is a full-on pacy paisa-vasool entertainer with brio and balls.

  • This is arguably the best political thriller that Bollywood has so far given us.

  • This enjoyable film is a surprise. It sparkles with original wit directed at lives that would have been truly sad if they weren`t so funny.

  • It would be erroneous to treat this film as only a serious noire effort. It is that,yes. But it’s also a film that makes an impact in unexpectedly blithe ways, creeping up into our conscience when we least expect an intrusion and lodging itself cosily in a corner.

  • This is a somber, meditative, profound and yet weightless work of unfettered beauty. A life-changing experience. No less. Anand Gandhi defines life’s mysteries in mysterious ways, showing a command over his mammoth philosophical world that Mani Kaul and Jean-Luc Godard would have envied.

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