…even as Balki guides his third film to his trademark mawkish route, the effect is nowhere the same as Paa for the heart is missing.

Following A Wednesday and Special Chhabis, Pandey works with a bigger canvas for his third film. But Baby proves that bigger doesn’t always mean better.

American Sniper’s soul is Bradley Cooper…For all the bravado of Kyle, American Sniper lacks courage to realistically see the perils of war.

Tevar has too little attitude and lesser in the name of entertainment.

Inspired by real events and characters, Kumar has said that he hopes to inform the newer generation about the tragedy. Unfortunately, this is not the film that does justice to it.

Ungli has a lofty, well-meaning premise which is presented wearily, with dialogue writer Milap Milan Zaveri, the crew member most responsible for the mishap.

Happy Ending is barely ‘hatke’…Endings, says Yudi, are hard as he explains why there is a stack of unfinished manuscripts on his shelf. The makers also struggle to reach their own version of a happy ending.

With its dialogues and incessant bullets and songs, Kill Dil tries to make a lot of noise. But the film’s plain vanilla with little drama/thrill to keep you hooked.

Mawkish, preachy and contrived, Super Nani is a tiring watch.

Roar makes little sense…A friend summed it up best. “The audience will need tiger balm after seeing Roar.”