A two-year-old actress rules this exploitative horror…Vinod Kapri’s Pihu, which is inpsired by a true story, is not for the faint-hearted

Bazaar, starring Saif Ali Khan and Rohan Mehra, is a drama that fails to shine due to its sketchy screenplay…

Badhaai Ho, starring Ayushmann Khurrana and Neena Gupta, is delightful in the first half but soon loses its fizz…

…is an exasperating romantic drama with astounding levels of ludicrousness…

Pataakha, starring Sanya Malhotra and Radhika Madan, marks the return of Vishal Bhardwaj to direction. The film is entertaining in parts, but fails to leave a mark…

The Gujarati-Punjabi culture clash offers nothing ingenious; the courtroom scenes are a farce and the special appearances of Asrani and Shatrughan Sinha are risible to say the least. After two hours and twenty seven minutes one can only hope YPD3 is the finale in Deols series of buffoonery. What’s certain is that their enthusiasm and humour is now tiring.

With the clock ticking past the two hour mark, all the spiel on farz, izzat, imaandari is too familiar. You are left with a realisation: truth hurts but Satyamev Jayate hurts more.

Vishwaroop 2 is a reminder that killing off a villain in the first part is always better than keeping him alive especially when he is on the verge of dying anyway. Haasan could have invested his energies on something more constructive – his second last Sabaash Naidu sounds fun – and audiences would have been spared a dull film.

The Saheb Biwi aur Gangster movies have thrived on the combination of sex, power, lies and backstabbing but this time around Dhulia is low on ideas, humour and most importantly a compelling narrative.

With a more substantial and empathic script, Dhadak could have struck the heart. Instead it barely touches the surface.