• Ki & Ka is obviously taken in by its liberal notions but fails to realise that it’s not so uncommon in today’s urban context where lots of working men and women share both their professional and personal duties.  

  • It takes concrete storytelling not style to camouflage John Abraham’s limitations. He bears the physicality of a man who could take on a dozen but his blank, pained surface cannot offer threat or evoke sympathy.

  • If watching a 100-something minutes long music video starring a deadpan, poor man’s Sunil Shetty strutting self-importantly in Salman’s hand-me-down is your kind of entertainment, book your ticket RIGHT NOW.

  • Once Jai GangaaJal loses sight of all else to become only about his half-baked atonement it drags and dodders from the weight of its stocky dialogues, tediously cosmetic revolt and a leading man of very limited screen presence hogging all the limelight. 

  • If intended to be a spoof on the vagaries of filmmaking, Tere Bin Laden: Dead or Alive is completely devoid of whimsy.

    And, if it aspires to be a satire, there’s little bite or ambition in its pedestrian approach and trivial resolutions.

  • In this schizophrenic rubbish — for it’s certainly not a script, hardly a synopsis — landscapes change faster than its cast’s wardrobe and characters suddenly appear or mysteriously vanish at the director’s whim. 

  • The action hero returns to serve some old fashioned justice in Ghayal Once Again as the still seething, still suffering Ajay Mehra like only he can. If also it could deliver the stamp of sharp, solid filmmaking like only the man who conceived Ajay Mehra can.

  • Between its many, many confused, underdeveloped, raucous ideas, hides the film Saala Khadoos set out to be. Too bad it never made it to the screen.

  • Mistaking intent for quality, Chalk N Duster’s greatest drawback is that it tries to take the high moral ground without substantiating its material or projecting the least bit of depth…

  • A lot of visible effort has gone in designing Prem Ratan Dhan Payo’s opulence and scale but ultimately it is just lacklustre, recycled fare from a man stuck on men versus women sporting contests, midnight kitchen rendezvous and the pristine aura of Prem.

    The last one still holds good. Rest is just rah-rah.

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