Calling Yamla Pagla Deewana 2 a joke would amount to a compliment. And I am in no mood to extend such courtesy.

Whether all kids inherit their parents’ moral temperament I do not know but where Bollywood is concerned, its conditioning on filmmakers is undeniable. And going by what the inspired but engaging Aurangzeb has to offer, it’s not such a bad thing.

Bombay Talkies may or may not celebrate cinema in the direct sense. Except for its hopelessly tacky end-credits — a complete waste of star power and resources, Bombay Talkies is an absorbing ode to the language of cinema that is part of our collective system.

It honours the imagination and enthusiasm that attracts so many young men and women in this country to embrace a life of risk and rush – filmmaking.

Zany, zippy, meaningful and sweet, there is never a single dull moment in The Croods.

Rohan Sippy’s creation shows so much promise and has several moments (even if most of them are featured in its trailer). But the plot seems better-suited for a sitcom episode. As a film the nautanki stretches for too long, saala.

If the outcome of a remake is to affront everything the original represents then WHY ON EARTH call it Chashme Baddoor? Why not simply write your own story about three random friends, name it something like Teen Tigada Kaam Bigada and then include every Tom, Dick, Joseph, Josephine, Beagle, Fattu, Gattu as you please?

Sajid Khan loves big scale but the production values of all his films, their aesthetics, g are consistently tacky. Himmatwala is no different.

Abhishek Kapoor’s clarity of vision makes Kai Po Che — the adaptation of a mediocre novel — so irresistible.

Those who’re clueless about the Columbian movie might get a kick out of the big reveal. Those looking for more than (badly-acted) thrills, Murder isn’t likely to be your choice of franchise anyway.

ABCD tugs at your emotional cords all the way as Prabhu Deva tries to convert a bunch of street ruffians into champions.