• Boss is hell bent on assaulting the eardrums and senses with a vigorous spectacle of mindless action and screeching soundtrack.
    Given the low benchmark of this genre, it’s akin to praise when I say Boss is neither as absurd as Rowdy Rathore nor as ghastly as Policegiri.

  • Besharam is so unbelievably sloppy and senseless, not even the best actors in the business can redeem it no matter how hard they try.

  • Regardless of Phata Poster Nikhla Hero’s uneven pace and indecisive disposition, Shahid Kapoor, armed with a kooky grin, gives it his best shot.

  • Shuddh Desi Romance conveys a simple but underrated philosophy in the most fun way possible

  • After experiencing back-to-back idiocy on big screen, it’s refreshing to return to the theatres for a film that expects you to be educated, informed and attentive. Give it a chance, Madras Cafe deserves an audience.

  • The Smurfs 2 is an excruciatingly basic, bland and boring representation of a famously merry and meticulous community.

  • Ship of Theseus is a sign of evolution in filmmaking, a work of art. I cannot award such artistry with mere stars. I can only hope it’s a precedent not an exception and wish you go and watch it.

  • This is possibly the best and the grandest belated gift a man can offer his childhood. Do yourself a favour.

  • Plots with threadbare logic rely too much on larger-than-life heroics to draw its target audience in. But none of Dutt’s swagger is blustering enough to put up with a film as deafening, dowdy and drudging as Policegiri.

  • Raanjhanaa isn’t easy viewing. Kundan and Zoya aren’t easily likeable. They have flaws. They make mistakes. Blunders, really.

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