Jurassic World: Fallen Kingdom is every bit a horror film split into predictable hostility and periodic close calls…

Kareena’s restraint around the wedding hysteria bubbling around her, Sonam’s airheaded optimism, Swara’s crackling profanity and comfort for innuendoes and Shikha’s talent for naughty wit comes together to say it’s not a big deal for women to talk and do as they please.

If only Veere Di Wedding actually believed it too.

It’s like Chewbacca’s groaning presence, John Williams’ classic tune and other familiar props and paraphernalia, everything is just doing its bit to compensate for Harrison Ford’s sorely missed devilry

Deadpool started out as a passion project for Reynolds, but now that it has tasted box-office blood, he’s on a course correction. Which means Green Lantern gets yet another jab in the jaw.

The joke’s a bit old now, but the Regenerating Degenerate is only getting started.

Hope Aur Hum never strays into complicated territory and sticks to its gentle celebration of everyday highs and lows. Its idealism may seem intentional, but never ever contrived.

Every single gesture is overdone and extra boisterous like Bachchan’s inflated exuberance and screaming prosthetics, reminiscent of the 1970s when he’d masquerade as a grey-haired old man playing to the gallery. It was phony, but so much fun.

This one’s more 102 and not quite.

Infinity War goes one step further and tries something bold. Maybe it is all a deception but this detour from blustering finishes towards an incomplete, unpredictable and unsafe course of events makes this one epic and the next one badly awaited.

A wishy-washy hotchpotch of horror and comedy — like the recent Bhootnath, Phillauri and Golmaal Returns — it flounders in finding a harmonious balance between two contrasting genres.

Alternating between brat and boy, deception and decency, Ishaan Khatter speaks with a passion that will be heard Beyond the Clouds…

October is the month when the sweet-smelling flower, known as parijat, shiuli, harsingar, night jasmine or prajakta, enters bloom. But the lesson of love and loss in Shoojit Sircar’s poignant new drama is likely to linger all year long.