Though the story is sad, subdued and quite slow-moving, you need to have the patience to comprehend the message correctly. It gives you a hard-hitting look at love.

What’s good about Escape Plan is that it is clean and not at all contemptuous till the very end.
Watch it if you are Stallone or Schwarzenegger fans.

The script itself acts as a ruthless stalker, uneasy with its own probing. It does little to convey either the perfection or imperfection of its subject. Unfortunately, it does not reveal anything about the enigmatic Diana, but manages instead to portray her as a tepidly manipulative and scheming woman, who fed the media with photographs taken with Dodi Fayed.

“Rush” is an engaging biopic with intense performances that will thrill you even if you are not an F1 buff.

The script of ‘We’re The Millers’ is neither outlandishly ridiculous nor is it continuously funny enough to be a classic. It is a completely tongue-in-cheek product. Nevertheless it is a good adult comedy that you will not want to forget for some time.

Director Harald Zwart, who earlier presented Karate Kid, struggles to deliver this rather overtly complicated story effectively. There’s so much bouncing around in tone and story that the film flounders with its cheesiness. There are features worth revealing in the film, and thankfully, it is less self-serious than the Twilight films.

Nevertheless, the young and the exuberant will find The Mortal Instruments – City Of Bones worth a watch.

The script manages to create a very entertaining ride with the 3D element.

Apart from the action, whether it is the spaceship`s collision or the hand to hand combat in mid-air and the chases, what makes the film intense is the emotional politics.

Where are these cars speeding to? Where are they in relation to each other? What`s their goal during the chase, apart from just creating some din? The climax has a major twist that works in making the next sequel and don`t miss the trailer of ‘Fast & Furious 7’ after the end credits.

With this film, the director has once again proved his mettle. He delivers a realistic picture of what manic behaviour in a family looks like. The script never lapses into mundane or uninteresting language. The scenes are well sculpted and amplified by the intimacy and focus of the director and his actors.