To sum it up, watch ‘Student Of The Year’ for the debutantes. They have really pulled off a tough task of playing praiseworthy roles in a film which suffers from the lack-of-a-story syndrome.

In totality, ‘Chittagong’ is a must watch for all those, who love their country.

Overall, ‘English Vinglish’ is a complete family entertainer and worth every penny! Yes, Sridevi is back!

To wrap up, ‘OMG Oh My God!’ is a film that is undoubtedly one that rests solely on the shoulders of Paresh Rawal, and it wouldn’t be surprising if the man takes away the award for the ‘Best Male Debut’ this year. Akshay Kumar, as the 21st-century Krishna, offers a much-welcome break to his audience. The ‘Divine Comedy’ doesn’t bore. Watch the film for a lot of things – Paresh Rawal being the top of the list!

To be really frank, there is nothing kamaal about ‘Kamaal Dhamaal Malamaal’.

Does ‘Heroine’ work? Yes, but only because of Kareena Kapoor. From doing the raunchy act in ‘Halkat Jawaani’ to the scenes where she is battling depression and popping pills, to the I-don’t-care-attitude of a confident actress, Kareena makes Mahi memorable and lovable.

Anurag Basu’s ‘Barfi!’ is a perfect sweet treat for his audience. Like it has been discussed, those film makers who have been portraying the handicapped as dull and boring in their films must take a lesson from ‘Barfi!’. Go and savour it!

For those who have loved Saif and Deepika’s ‘Love Aajkal’, ‘Cocktail’ will not disappoint you as it has some shades of the former. The storyline of the movie is gripping and will keep you hooked and booked.

With a kind of brisk business-like immediacy and the least amount of fuss, “Maximum” takes us into the world of shoot-out killings and the internecine war in Mumbai`s police department which threatens to destroy the very institution built to mend the wounds and fissures in the social fabric.

‘Yeh Khula Aasmaan’ is an old-fashioned simple and transparent tale told with a straightforwardness that challenges current filmmaking trends of irrelevant complexities.Yeh Khula Aasmaan’ is a well-intended heartwarming film. More mellow than melodrama, it revels in postures of pristine idyllism associated with non-metropolitan life.There are no heart-stopping moments of high and low. The drama, when it ensues, is brought on with disarming simplicity. That the heart is in the right place is undeniable.