• Tamhane’s film excels in revealing these terrific vignettes of life, and in the process it ends up moving you. The film allows us to judge, and yet, suggests that we don’t judge too much – after all, this is life with all its complexities and everyone is human.

  • …a multi-lingual film that many will need subtitles to watch, but it is one of the best films of 2015. Do not miss this one.

  • Meena Karnik
    Meena Karnik
    DNA India

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    Every character seems genuine in this film. Some of the characters are played by skilled actors while some are non-professionals. Yet, it is impossible to differentiate the two. Locations chosen by the director augment the film and the camera too, plays an integral role. Never has the director tried to be gimmicky with a smart shot or a clever dialogue. Everything in the film is portrayed with hundred percent authenticity. Precisely why it makes you uneasy, makes you think and stays with you for a long long time.

  • Court is another reminder that we need drastic changes in the way our judiciary functions; it raises relevant questions but doesn’t provide answers. We are left chuckling in the end but the joke, sadly, is upon us…

  • In many ways, its aesthetics and idealism make Court feel reminiscent of Indian parallel cinema of the 1970s. However, Tamhane’s storytelling is distinctively contemporary and he’s careful to ensure Court doesn’t become preachy, self-indulgent or slow (standard problems that make so many Indian parallel film classics seem dated today). Perhaps one of the more depressing aspects of placing Court in the chronology of Indian cinema is realising that Tamhane’s film belongs to a tradition of cinematic dissent that couldn’t pierce our apathy as a society.

  • Menaka Rao
    Menaka Rao
    Firstpost

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    Court does offer a wonderful portrayal of India’s legal system. Given what Bollywood titles ranging from Damini to Jolly LLB have done to caricature the courtroom, this film is long overdue. Court comes closest to showing how an actual court functions. It captures the impact those undramatic courtrooms have on people who are unwittingly trapped in the labyrinth justice system.

  • Anuj Kumar
    Anuj Kumar
    The Hindu

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    An accomplished piece of work whose natural tone is surreal…