Naseeruddin Shah appears the most uninterested and rightly so. What prompted such a stalwart to step in is anyone’s guess. Take our cue, give this a miss.

Dirty Politics, that often feels like a poor man’s Raajneeti, given the scores of extras crammed into every frame, should have rightfully been called The Eighties. Every bit of this film — story, structure, sensibility, stunts and moral — is from an eighties film. But then what else can you expect from the director of Aaj Ka Arjun and Phool Bane Angaray?