Just a small recommendation for speed flick buffs: beg, borrow or steal DVDS of Howard Hawks’s Red Line 7000 (1965)and John Frankheimer’s Grand Prix (1965) . The Fast and Furious series pale by comparison to them, despite the new millennium’s technical haberdashery.

There’s lunacy. And there’s energy. And while this is an utterly stupid film that seems almost proud of being unmemorable, it mostly amuses. Oh, and Gina Carano is awesome.

The sixth entry in the blockbuster franchise which first vroomed across the multiplexes in 2001 focuses squarely on what the gearheads want: tyre-screeching mayhem, death-defying heroics and camera-caressing femmes.

Where are these cars speeding to? Where are they in relation to each other? What`s their goal during the chase, apart from just creating some din? The climax has a major twist that works in making the next sequel and don`t miss the trailer of ‘Fast & Furious 7’ after the end credits.