Korean Kanakaraju

“Korean Kanakaraju blends familiar Tollywood commercial tropes with stylised cross-border action and supernatural comedy. It thrives on its inventive ghost-comedy mechanics and delivers a reasonably entertaining theatrical experience.”

“Korean Kanakaraju is a fun-filled commercial horror-comedy that succeeds because it never takes itself too seriously. Powered by Varun Tej's energetic performance, Satya's laugh-out-loud comedy, and Merlapaka Gandhi's entertaining screenplay, the film offers an enjoyable theatrical experience.”

“Korean Kanakaraju is a mixed bag. It offers an entertaining pre-interval stretch, sincere performances from Varun Tej and Satya, and an interesting core concept. However, weak writing, limited comedy and an underwhelming second half prevent it from becoming a consistently entertaining horror-comedy.”

“Korean Kanakaraju is a mixed bag while it scores in the comedy department, it falters in the writing department. The movie works in Comedy Department thanks to Satya but the story right from the start to end reeks familiarity and convenient writing.”

“Merlapaka Gandhi's horror comedy reduces an entire nationality to a punchline, turns its female lead into a K-pop stereotype, and delivers an AI-heavy climax that is painful to watch. Comedian Satya is the only reason to stay and watch the film.”

“Korean Kanakaraju is a classic case of a film with an amusing premise but no idea how to sustain it beyond the first few laughs. What could have been a quirky cross-cultural horror-comedy ends up becoming a painfully shallow commercial entertainer that mistakes randomness for humour and scale for spectacle.”

“Korean Kanakaraju leans heavily on Sathya's comic timing, and he delivers, as always. But there is only so much heavy lifting he can do when the writing lets him down. By the time the drawn-out climax finally ends, it is hard to care about either the man possessed, or the one leaving destruction in his wake.”

“Mild laughs and no scares in this bloated horror comedy.”